Advertising still frames us as desirable commodities. The art market fixes us as passive muses — never agents. Religious structures instrumentalize us as bodies of service, through normalized symbolic and physical abuse. All of this is upheld by a rhetoric that imposes Eurocentric, cisheteronormative, and racialized standards as default.

Within this field of forces, the project emerges as a counter-device. It appropriates the language of media and the universal codes of communication in order to corrupt them — through pornographic digital practices where the body is not merely an object of desire, but a subject that returns the gaze, breaks the frame, and creates fractures in dominant morality.

The phenomenology of power is inscribed on the layers of skin, in platform algorithms, in how the body is captured, distributed, monetized, performed, and judged. The boundary between public and private collapses: the body becomes a contested territory, where colonialities are marked and new modes of oppression and resistance unfold.

This body — Latin American, queer, trans-historical — denounces its instrumentalization in political and economic arenas and performs its refusal. It embodies the collapse of imposed stereotypes, exposing the abuses embedded in media discourse and institutionalized power over dissident sexualities.