Feto

is the fetus that generates the man.

The performance displaces origin. It inverts. It proposes a nonlinear cycle where the future shapes the past. The capsule becomes a transitional space between the outside world (already saturated, overstimulated) and another time, one of listening, of reconfiguration.

The performance unfolds as an organic-technological system of regeneration. These bodies are not there to represent something, but to sustain a state: of suspension, of listening, of active waiting. It is not about simulating birth, but about exposing the affective and physical machinery that makes it possible to remain alive, even when everything outside demands symbolic death.