Colonized Sexuality

Intro
/ 01 — 2021—

Archive Performance

Colonized Sexuality

Colonized sexuality is the body crossed by norms that do not belong to it. Imposed by Christian, patriarchal, and Eurocentric epistemologies, it turns desire into discipline, skin into a border, gender into a prison.

© 2021—

Statement

Colonized sexuality is the body crossed by norms that do not belong to it. Imposed by Christian, patriarchal, and Eurocentric epistemologies, it turns desire into discipline, skin into a border, gender into a prison. To colonize sexuality is to sever pleasure from spirit, affection from territory, the body from history. It is to erase entire cosmologies where sex was ritual, connection, passage, and vital force. To decolonize sexuality, then, is not only an act of resistance

Colonized sexuality is not merely the repression of individual desire — it is the systemic rearrangement of entire erotic, affective, and relational cosmologies through the violent imposition of Western, patriarchal, and Christian norms. As Aníbal Quijano defines in his theory of coloniality of power, colonization was not only a territorial project, but also an epistemic and ontological one. Sexuality was a key target of this transformation — a space where bodies were classified, desires were regulated, and forms of life were subjugated to fit within a Eurocentric model of intelligibility.

Tattooing performance

Maria Lugones expands this idea by introducing the concept of the coloniality of gender, revealing how colonialism did not just impose hierarchies of race and class, but also forcibly introduced a binary gender system and heteronormative matrix where diverse pre-colonial gender expressions and sexualities were erased or demonized. In many Indigenous, Afro-diasporic, and ancestral worldviews, sexuality was not reduced to reproductive function or moral control, but existed as a force of connection, ritual, community, and spirituality. The colonial project severed this sacred link between body and territory, between sex and meaning.

Gloria Anzaldúa, in her writings on the borderlands, reminds us that colonized sexuality also emerges as a site of internal fracture — a space where hybrid identities (queer, mestiza, racialized) are forced to navigate shame, fragmentation, and invisibility within both dominant culture and their own communities. Her work affirms that to reclaim sexuality is also to reconfigure language, myth, and flesh — a border practice that is both spiritual and political.

Achille Mbembe points out that the colonial order functions through necropolitics — the regulation of who may live and who must die. Within this framework, the sexuality of Black, queer, Indigenous and trans bodies becomes a field of state control, medicalization, and hypervisibility paired with disposability. The erotic life of the colonized subject is policed, exoticized, or erased — never autonomous.

Ochy Curiel, building from Afro-Caribbean feminism, reminds us that decolonizing sexuality cannot be a mere liberal inclusion of "diverse" sexualities into the colonial order. Rather, it requires a rupture with the racial-capitalist and patriarchal logic that continues to shape intimacy, desire, kinship, and relationality. It requires unlearning the colonial gaze and recovering ways of being together that do not rely on domination or commodification.

01

Pudor

Pudor
A projection on a wall shows a pile of shredded paper or similar material on a surface, with a tattooed arm visible near the pile. A device connected by a cable is placed below the projection.
Colonized Sexuality
Person pouring small white pills or tablets onto their tattooed arm, with a cross tattoo visible.
A nude woman with tattoos lying on her back against a black background.
A person with tattoos on their side lying down, holding a white rosary with crosses on it, against a black background.

02

Pai, Afasta de Mim Esse Cálice

Pai, Afasta de Mim Esse Cálice
Colonized Sexuality
A close-up of a glass of water on a dark surface.
A naked person wearing a black ski mask with eye and mouth holes, standing against a plain wall with arms outstretched.
A person with dark hair is looking down, holding a backbrush in their right hand, in front of a plain, cream-colored wall.
Close-up of a person's hand holding a smartphone with a blurred Oreo cookie in the background.
Close-up of a person's face, possibly a child, against a neutral background.
Reflection of a person with tattoos standing in a room with wooden flooring, partially distorted by a mirror or reflective surface.
A person with dark hair in a bun standing nude against a plain wall, covering their chest with their hands.
A close-up of a glass with a dark background, showing some reflections and lighting.
A person holding a glass with a layered drink, seen from above, with a dark background.
A shirtless person wearing a black ski mask with holes for the eyes and mouth, standing against a plain off-white wall, with arms outstretched.

03

I Miss You

I Miss You
Colonized Sexuality
Close-up of orange and yellow flames burning.
Close-up of a person's hand and part of their face, with the hand slightly raised, in a dark outdoor setting.
Person standing on rocky terrain near trees and bushes
A small campfire burning on the ground with visible flames and charred wood, surrounded by dirt and sand.
A person holding a zebra-striped fabric or object outdoors at night.
Charcoal and flames from burning wood or debris on a ground surface.
Lava flowing with visible flames on the surface.
A person holding a snowboard outdoors, with a snowy landscape in the background.
Close-up of a charred paper or fabric on a fire with ashes and burnt debris around.
Close-up of a white ribbon with the word 'MAXIMUM' written on it, surrounded by a decorative ruffled design.
Fire burning on paper or leaves on rocky ground.
Explosion in a forested area with flames and smoke.
Close-up of a fire burning with bright orange and yellow flames.
A handwritten letter burning on the ground with flames and ashes.
A person standing amid flames and smoke in a forested area.
Fire burning outdoors on a dark night.
Paper and leaves burning on the ground with flames.
Paper documents burning on the ground with bright flames and ashes.
Close-up of a hand with a peace sign gesture, partially visible person wearing a sash, outdoor setting with greenery in the background.
Fire burning on dark surface, with flames and charred debris.
Person standing on a rocky surface with small fires burning in a circle around them, in a forest setting.
A handwritten letter being set on fire outdoors, with flames visible on the paper.

04

To Curate Yourself

Tenro

Estender

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