Feto

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Feto

The performance displaces origin. It inverts. It proposes a nonlinear cycle where the future shapes the past. The capsule becomes a transitional space between the outside world (already saturated, overstimulated) and ano

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Statement

The performance displaces origin. It inverts. It proposes a nonlinear cycle where the future shapes the past. The capsule becomes a transitional space between the outside world (already saturated, overstimulated) and another time, one of listening, of reconfiguration.

The performance unfolds as an organic-technological system of regeneration. These bodies are not there to represent something, but to sustain a state: of suspension, of listening, of active waiting. It is not about simulating birth, but about exposing the affective and physical machinery that makes it possible to remain alive, even when everything outside demands symbolic death.

Feto 01/01
Two people lying inside a shower or cylindrical space, one with tattoos and wearing glasses, the other with tattoos, both resting with tubes connected to their bodies.

Moving image

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