World TourIn 2026, I will be traveling across Europe, Japan, and Australia as part of an ongoing expansion of my artistic and professional practice.
This journey is driven by the intention to connect with individuals, institutions, and communities within the fields of art, culture, and the commercial creative circuit, fostering exchanges, collaborations, and long-term partnerships.
The tour also includes engagement with body-based artistic practices and related cultural scenes, such as shibari and the broader BDSM context, approached from ethical, research-based, and cultural perspectives.
This international movement represents an important step in expanding my work across geographies, disciplines, and professional contexts—strengthening dialogue between contemporary art, performance, research, and cultural production.
f you would like to discuss work opportunities, partnerships, or press and media coverage (clipping), please feel free to get in touch through the contact channels listed on this website.
I will spend most of my time presenting performances, generally…
01 / Butoh
My performances are strongly grounded in butoh, theatre dance, tribal fusion, and contemporary dance, incorporating ritual elements as part of the creative process
02 / Aerial & Flow Chains
I work with chain-based aerial flow, exploring movement, suspension, and controlled dynamics in space.
03 / Shibari Model/Performer
Connection is a core part of the process. You’ll learn just as much from the group as from the content itself.
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Madrid
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London
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Berlin
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Porto
〰️ Madrid 〰️ London 〰️ Berlin 〰️ Porto
Tokyo
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Tasmania
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Tokyo 〰️ Tasmania 〰️
Upcoming Events
Luiza Prado - Hifa Cybe
I am a performance artist with a background in performative theatre, trained at Os Satyros, and completed professional training at the Experimental Butoh Nucleus, where I developed a body-centered practice grounded in presence, transformation, and states of intensity.
My movement research is deeply influenced by butoh, performative theatre, and contemporary dance, alongside a strong historical foundation in tribal fusion, which informs my understanding of rhythm, isolation, and corporeal articulation.
I also develop aerial performances, working with shibari and chains, exploring suspension, flow, weight, and spatial dynamics. These practices are approached from an artistic and research-driven perspective, emphasizing control, listening, and embodied awareness rather than spectacle.
Ritual elements are an integral part of my work. My performances often operate in liminal spaces between choreography and ritual, using repetition, presence, and symbolic gestures to create immersive, embodied experiences.
My practice investigates the body as a site of memory, transformation, and resistance, operating at the intersection of performance, movement research, and ritual action.
