Solid
Sculpture, object — Luiza Jesus do Prado.

Self
2026The self does not appear as a stable unit, but as an effect emerging from relations, repetitions, and subtle ruptures. Something that continuously reorganizes itself through gestures, gazes, and almost imperceptible displacements.

Entities
Film — 2023The project Entities explores the relationship between body, memory, and spirituality through an engagement with entities rooted in Brazilian cosmologies, particularly those shaped by African and Indigenous origins. The performance unfolds as a contemporary ritual in which the body operates as a site of inscription and reactivation of memory, both individual and collective, inherited, transmitted, and transformed over time.

Appropriation
Film — 2023—The project investigates the symbols of sexuality in art and entertainment, revealing dynamics of power, marginalization, and resistance. It explores the symbolic language of prostitution, eroticism, fetish, BDSM, and other subversive themes that permeate sexuality and its social and economic impact.

O Estado (Performance) & Castração (Object)
Film — —The tattoo was made on the central axis, purposely to cause tension in the spine and the peripheral nervous system.

Garden of Dreams and Nightmares
2024Garden of Dreams and Nightmares, Situated Between the Loom and the Harvest unfolds within the artist’s ongoing research on memory as a symbolic territory positioned between weaving and gathering. The project establishes a field of intersection between imagination, the body, and ancestry, in dialogue with Yanomami and Andean cosmologies, in which dreaming is conceived as a collective space of existence and knowledge.

Effigies - Mortuary Portraits
—_Pudor_ is a video-performance that investigates the mechanisms through which sexuality can be silenced, regulated, and denied within rigid religious contexts. The work centers on the experience of having one’s sexual subjectivity suppressed by a community structured around moral restraint and spiritual dogma.