Tríplice

Intro
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Tríplice

_The name “Triplice” emerges from a convergence of experiences in search of knowledge and from_

©

Statement

_The name “Triplice” emerges from a convergence of experiences in search of knowledge and from_

_a reflection on mythic concepts within a contemporary society._

01 — Text

The name Triplice originates from the “Triple Goddess,” a pagan goddess who represents the trinity and a matriarchal society. She is the feminine polarity of a whole through the archetypes: Crone, Mother, and Maiden, also characterized by the three visible phases of the moon. Bringing this idea to a micro and intrasubjective level: mental, emotional, and spiritual, and to another level, macro and intersubjective: social, political, and historical.

The Triple Goddess does not govern the world, because she is the very foundation of its origin. She is creation, maintenance, and destruction.

Tríplice 01/06
A person's hands with red-painted nails are crossed and resting on a decorative iron gate in front of a weathered red wooden door.
A topless woman with a flower crown is sitting backwards on an open bathroom door, with her head hanging down and her hands on the ground, in a dark room with large open windows and brick flooring.
A woman with makeup resembling a tears running down her face, wearing a dark red top and jewelry, in a dimly lit setting.
The image shows a person's legs with several fresh, bloody cuts on the knees, standing on a worn, dirty floor near a wall with some exposed paint and damage.
Person holding a red lace fabric or towel over a bathtub edge.
A person sitting on the floor of a dimly lit, abandoned building, leaning against a stroller in front of a graffitied wall.

02 — Text

Life and sexuality emerge with spring, like the new moon not yet illuminated by the sun, still unaffected by cultural expectations linked to patriarchal concepts.

The natural essence of the feminino lies in what it values, not in being valued for what it is, because it possesses total freedom of choice to define itself. Its choice becomes the definition that remains immaculate, as it opts for secrecy, the secret of being.

Tríplice 07/12
A young girl standing outside at night under a decorative streetlamp attached to a wall.
An abstract, blurred image with swirling patterns and a hint of landscape or texture in the center, dark background.
A black and white photo of a person sitting under a tree, surrounded by other trees in a foggy or misty outdoor setting.
A woman with red hair wearing black clothing and high heels crouches near large industrial green machinery inside a dimly lit factory or warehouse with high ceilings and tall windows.
A woman with dark hair and makeup is partially obscured behind a dark netted fabric with red and yellow flower petals on it.
A naked woman crouching on the ground in a dark, rustic setting with wooden stairs behind her.

03 — Text

Often represented by a virgin, not because of sexual abstinence but because of the freedom to be filled with oneself rather than with the other.

The full moon illuminated by the sun, the hot and fertile summer, the warrior, lover, creator, also symbolized by nature, by the creation and the offering of life.

Tríplice 13/18
A woman sitting on a carousel horse inside a dimly lit amusement park or arcade, with the carousel's horses and structure visible around her.
A woman with dark, wavy hair wearing a dark green velvet jacket with a white shirt underneath and a turquoise necklace, standing with her head bowed and eyes closed in front of a wooden background.
A woman with dark makeup and dark hair, wearing black lace lingerie, lying down in a dimly lit environment with shadows.
Close-up of a newborn's hand holding an adult's finger, with blood and an umbilical cord visible.
A young woman with blonde hair in a black dress, standing barefoot between two stone columns in a garden with trees and bushes, looking upward.
A woman with blonde hair wearing a black lace dress stands with her head tilted back, in front of a large ornate wooden mirror, in a dimly lit room with a chandelier and a painting on the wall.

04 — Text

Contradictory in today’s times, the mother is the one who cares, whether internally or externally to the spirit, not limited only to a human image. Even when using human signs such as the umbilical cord, which can be understood as a bond, she is the one who does not condition us to remain tied in order to belong. Since life is made of relationships, giving is necessary for any act to occur. Whatever the intention may be, it requires leaving a part of oneself.

“The act of the advising grandmother who weaves a cloak is like the weaving of life, whose cloak will not be hers but the next person’s.”

Tríplice 19/24
A woman with long hair, wearing a white hospital gown, sitting on the floor in a dark, abandoned building, leaning her head against a folded wheelchair beside her.
A woman with long black hair posing outdoors among foliage, with sunlight filtering through the trees.
A person wearing a red cape and mask sitting on the ground in front of a tree in a park or wooded area.
A nude person bent over with one arm extended upward outdoors near trees and water.
Person taking a photo or recording with a camera in a natural outdoor setting, surrounded by trees and branches.
A woman tied to a tree in a forest, shown in two separate images. In the first, she is leaning back against the tree with her face tilted upward. In the second, she stands with her back to the camera among trees and tall grass.

05 — Text

The waning moon loses its brightness, but it has already reflected everything the sun could offer.

Balance, knowledge, and wisdom complete the triad that becomes personified, because it has already been Maiden and Mother. It is winter, which even though it is a cold passage, can be warm if one knows how to light the fire. We live the end of our process of self knowledge, psychic maturation, the process of individuation, which makes this phase difficult. It is the end of a cycle and can be represented by transformation or renewal, rather than death understood as an end.

Tríplice 25/30
A girl in a dress and heels standing by a large window, looking outside at a building with yellow and gray balconies.
A woman with short red hair looking up while adjusting an ornate gold-framed mirror on a teal-colored wall.
A close-up of a damaged hand with cuts and blood, resting on a patterned cloth.
A woman in a long red dress walking through a doorway into a dimly lit room.
A woman with red hair sits at a cluttered wooden table, resting her head on her arm while holding a brass chandelier with a figure of a woman in her other hand. The background shows an eclectic mix of furniture and decorative items.
A woman lying on the ground, holding a mirror, surrounded by leaves and broken glass.

06 — Text

Cults to the Triple Goddess, specifically to the Mother Goddess, were common since the beginning of the human species, in the Paleolithic and Neolithic periods. In theory, this was the phase that initiated the worship of goddesses and gods, whose cults expanded across several civilizations.

With the rise of theocentrism, this worship became a threat, giving rise to persecutions such as the tribunals of the Inquisition.

Tríplice 31/33
A woman in a lace dress lying on the floor, looking into a large round mirror reflecting her face and hand, with spilled debris around her.
A black and white photo of a woman with wet hair, with her face in profile, framed by two hands reaching towards her from above and below.
A woman with long hair in a white dress sits on a chair in the middle of an empty street, bending down to pick up fallen leaves. A glass of milk and a tray are balanced on her back.

07 — Text

Polytheism was a threat within a patriarchal society structured through sexual and hierarchical organization. It was sustained by male domination in both private and public spheres, built upon a masculine model of domination and virility. Even more threatening to this model was the worship of goddesses, because it implied plurality, a transversal and enriching theme. However, within a centralized social construction, psychic and human development and experience would become problematic, as there would be no space for rigid hierarchy and we would instead be living in a cooperative and self managed system.

The Triplice is an archetype of the feminine psyche, figuratively an ideology that stands in opposition to the cult of disinformation and to beliefs and signs historically imposed upon the feminino as a product. Our Triplice lives a moment of transition when analyzing the historical macro context in which the power to act was taken from us in a society that believes power is possession. In reality, the greater the equality, the greater the empowerment, returning us to the primitive symbolism of gods and goddesses who, in paganism, were the foundation of creation rather than simply leaders.

08 — Text

We are Maidens, Mothers, and Crones. We, the feminino, who exist within this silent war.

We are living a contemporary mythology within a system that has conditioned us to inherent and involuntary forms of worship. But who is the feminine Goddess of this mythology?

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