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Luiza Jesus do Prado
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Reprocessing — Bodies, Ruins and Permanences

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/ 01 — 2011–2014

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Reprocessing — Bodies, Ruins and Permanences

Photographs and videos from early works, revisited.

© 2011–2014

Woman with tears of black makeup, in warm red light, looking to the side.

Statement

Photographs and videos from early works, revisited.

Reprocessing — Bodies, Ruins and Permanences
Woman in a light slip dress seen from behind, leaning on a window facing a building.
Woman in a lace dress lying face-down on the floor in front of a round mirror.
Person in black kneeling under a tree, covering the face with red fabric.
Woman with long hair in a green coat in front of a closed metal shutter at night.
The Gas Mask Girl — child in a gas mask holding flowers in a workshop.
Bare legs lying on the floor at the threshold of an old wooden door.
Woman in black reaching up to a gilded mirror on a pale blue wall.
Woman's face veiled in dark mesh, head bowed with closed eyes, dried flowers against dim warm light.
Woman in a white lace dress bent forward on a wooden chair on a tree-lined street, balancing a tray and a glass of milk on her back while her hair falls to the ground.
Woman in a long red gown walking away through an open doorway in a weathered hallway with peeling paint.
Woman in a purple dress standing with her face covered among several figures of herself lying motionless on the floor of an abandoned industrial building.
Woman in a dark red shirt gripping the handlebar of a weathered carnival ride cart in a dim storage building, beside a motion-blurred shot of the ride's clown-faced front car.
Red-haired woman crouching with her hands at her feet inside a dark industrial factory beside massive vintage machinery, lit by dim window light.
Bare legs of a standing person with scraped, bleeding knees and a dangling rosary cross, against a peeling white wall.
Woman in a black lace bra reclining with her head tilted back and a hand resting on her chest, against a pitch-black background.
Silhouetted figure running down the aisle of an abandoned, decaying train car, framed by a rusty doorway.
Close-up of a person's hands loosely resting at the waist over a voluminous pleated black garment, in a dim interior.
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